A Line Which Forms A Volume (8th ed.)


YEAR: 2025
ROLE: Production Lead, along with Sadie Lee
DEVELOPED: LCC/London, UK
CLIENT: MAGMD/LCC

A Line Which Forms A Volume (ALWFAV) is a critical reader and symposium of graphic design-led research, which is written, edited, designed, and published by participants of the MA Graphic Media Design (MA GMD) course at the London College of Communication (LCC) and advised by Irene Sempere. Our eighth issue, focuses on the concept of refraction and how when applied to design, leads to outcomes that are omnidirectional – a single concept can have many different outcomes based on the designers’ personal perspective and cultural background. 

The main outcome of this project is a publication with an edition of 500, printed in January 2025 and distributed globally. As a production team lead, along with Sadie Lee, for ALWFAV’s 8th edition, I managed the end-to-end production process, coordinating timelines, meetings, and cross-team collaboration to ensure a smooth workflow. 
I liaised with suppliers, estimated costs, and oversaw budgeting while maintaining quality control throughout the printing and binding process.









The publication (500 copies, globally distributed) explores refraction in design, showcasing diverse perspectives through research and visual experimentation.







This issue features contributions, including such as an interview with Astrid Vorsterman of Valiz Publishers, conversations with designers and researchers Paul Bailey and Irene Sempere, and an excerpt from ‘Chimeric Worlding’ by Tiger Dingsun, exploring the potentialities that exist between graphic design, poetics, and worldbuilding, as well as a selection of graphic design-led research developed within the at MA Graphic Media Design course.


















By enabling our research practices to refract, we can expand the gaze, embracing constant changes and shifts in our understanding of graphic design.